|
|
The Gnostic Avenger
Jesus and Magdalene
in the Pagan World
The unique importance of Mary Magdalene for non-Christian Gnostics
arose from her identification with the fallen Sophia, the holy
harlot, the Whore of Wisdom. “The disciple whom Jesus loved” was
probably not John the Divine, author of the Gospel of John and
the Revelation, but a woman variously called Mary, Myriam,
Mariamme. She is not the incarnation of the Aeon Sophia, but
she is a good-enough human reflection of the divinity. In Gnostic
terms, she exemplifies an accomplished Mystery School teacher,
an initiate who knew the secrets of cosmos and psyche as deeply
as any man.
Magdalene’s male counterpart, Jesus, is not the human
incarnation of the Aeon Christos, either. In Gnostic theology,
there is no such incarnation. Jesus was, like Magdalene, a phoster or
enlightened one, fully mortal and fully human. Together, these
two people would have made an unmarried pair
without children, for the Gnostic guardians of the Mysteries— who
called themselves telestai, "those who are aimed" — rejected
procreation as enslavement to social obligations based on blind
biological drives. They would have viewed the shared consecration of
their work in the Mysteries higher than the mundane institution
of marriage. At least that is how this pair might be imagined
if one were to reconstruct a scenario based on non-Christian
elements in the Nag Hammadi materials.
Genuine images of Gnostics and teachers from
the Mysteries are non-existent, mainly due to the fact
that initiates
were vowed to anonymity. It was against their code of selfless
consecration to allow themselves to be depicted in any way
that would foster a cult of personality. Nevertheless, antique
traditions
preserve some recognition of the initiatic figure. Mary Magdalene
is often pictured reading a book to indicate that the Gnostics
were intellectuals and teachers who taught literacy and maintained
the high culture of the
pre-Christian world. (The Magdalen Reading by Roger van der
Weyden, c. 1435. National Gallery, London, Plate 18 in Venus
in Sackcloth by Marjorie M. Malvern.)
Christos and the Christ
As I have insisted elsewhere on this site, the difference between
the Christos of the Pagan Mysteries and “the Christ” requires
careful elucidation, especially as it bears on the figure of
Jesus' counterpart, Mary Magdalene. The Christ is an ideological
icon invented by Saint Paul on the basis of the Zaddikite messiah
of the Dead Sea. As such, the term denotes a superhuman being
who, assuming the form of the mortal man Jesus, models the highest
ideal of humanity. The hybrid Jesus/Christ is the central figure
in the Roman cult of salvationism. Hence, the Christ represents
the paradigm of salvation in human guise, but with a distinct superhuman
element implied. (Few Christians understand that the superhuman
element, the power behind Christ, is Melchizedek, the eerie,
clone-like overseer of the Zaddikim; but this is exactly as Paul
claims in Hebrews 6:20.) He is the focus of the Palestinian redeemer
complex discussed at length in my book, Not in His Image.
In the glossary I offer these contrasting definitions:
Christ: (from christos, “anointed
one,” Greek translation of the Hebrew mashiash, “messiah”)
In Christian theology, the “only-begotten Son of God” who
assumes human form to enter history and redeem humanity from
sin. Central figure in the redeemer complex. Said to have been
incarnated uniquely in the historical person called Jesus of
Nazareth; hence, the human/divine hybrid, Jesus/Christ. Regarded
by the faithful as the ultimate model of humanity, and the locus
of human dignity. The divine scapegoat.
Christos: (Greek, “anointed one”)
In Mystery idiom, a divinity in the galactic matrix (Pleroma)
who unites with Sophia to configure the singularity of human
potential, and later intercedes to assist Sophia in the organization
of animal life in the biosphere (the Christic intercession).
Does not incarnate in human form, but may assume a humanoid guise
in the Mesotes.
These definitions indicate not merely a niggling contrast of
terms, but a profound clash of paradigms. The Gnostic Christos
is neither a divine savior nor, in his human guise, the supreme
model of humanity. In the humanoid form of the Mesotes, this
entity is a kind of inner guide, or inner spiritual compass.
Paul preached that "the Christ in us" is a super-human
presence that carries our sense of humanity, but Gnostics taught
that our sense of humanity must be acquired by intellectual
and empathic recognition of the Anthropos, the human species.
In Not in His Image, I call this recognition the species-self
connection (Ch. 23). The difference between the Gnostic Christos
and the Christ signals a vast divergence of views concerning
how we sense “a spiritual presence” in our personal
lives, and how we identify that presence with our innate sense
of humanity.
Pagan Tolerance
In Gnostic terms, the figure of Magdalene is indispensable to
the inner sensing of our humanity. She is a haunting, elusive
presence in the conventional Gospels, but in Gnostic writings
she unambiguously attains her true stature. Magdalene figures
in dialogues in half a dozen NHC treatises; she literally stars
in the non-NHL Pistis Sophia; the Gospel of Mary is attributed
to her. The latter is fragmentary material, with only eight of
eighteen pages remaining. It is found in the Berlin Codex (BG
8502), hence it stands outside the NHC, but it is included in
the canon and carried as the last text in the Nag Hammadi Library
in English.
Much has been made of the Gospel of Mary, but little of what’s
currently written gets to the Gnostic core of her character.
Regrettably, the words attributed to Magdalene in the Gospel
of Mary provide yet another occasion for Gnostic scholars
to indemnify Christianity and discount original Gnostic teachings.
In her book The Gospel of Mary of Magdala, subtitled “Jesus
and the First Woman Apostle,” Gnostic scholar Karen King
argues that “the norm of Christianity was theological diversity” This
statement is intended as praise for the early Christian community,
meant to reflect positively upon Christians today. In King's
view, modern believers can think well of themselves knowing that
their belief-system arose from a rich diversity of views rather
than as a totalitarian dogma. Her viewpoint encourages modern
Christians to be open-minded and tolerant of different interpretations
of the Faith.
But the historical evidence King uses to support this point
shows that well into the 4th century Christianity was so poorly
defined, and so loosely understood even by those who embraced
it, that it is patently misleading to call it by that name.
Devotees were not even agreed on whether to call their savior
figure Christos or Chrestos. King is explicit: “As we have
repeatedly emphasized, at the time the Gospel of Mary was
written, Christianity had no common creed, canon, or leadership
structure.” Precisely so: there was no dogmatic Christianity
in the diversity of the early sects, but Christianity as such
is only meaningful in terms of the dogmas that define it.
King implies that the formative diversity of the Faith, including
Gnostic versions of the salvationist agenda, is a credit to the
open and compassionate spirit of the first Christians, or proto-Christians.
This is a clever spin, and utterly misleading. Professor King
denies that the pluralism she finds so praiseworthy in the first
centuries of the Common Era was entirely due to Pagan tolerance,
soon to be eliminated when the self-styled Christians finally did define
their canon, creed, and leadership!
“The complexity and abundance of early Christian thought” (King
again) was indeed impressive, but hold on a minute. If Jesus
and Magdalene are to be imagined as two prominent teachers in
that time and setting, it cannot have been the Christian
message they were expounding, but Pagan theology of the
kind in which Hypatia excelled.
We are left to wonder, How might Jesus and Magdalene have appeared,
and what might they have taught, had they been initiates from
the Mysteries?
Da Vinci also followed the tradition that
recognized the
high literacy of Gnostics and Mystery initiates. In his Annunciation he
pictured the Virgin poised elegantly at a table, reading
a book. What might be taken for an urn can be seen on the
table to her left. Whatever one makes of Da Vinci's connection
to the Priory of Sion, as an artist he clearly observed the
secret tradition that portrayed Madgalene as literate and red-headed.
For all the attention given to Magdalene's possible presence in The
Last Supper, it is equally, if not more shocking, that Da Vinci
could have subversively portrayed her in the Annunciation. As
the
wife
of a humble carpenter, it is unlikely that the mother of Jesus would
have
been either
literate
or elegant.
Simon and Helen
Gnostic teachings fostered the ultimate, long-range view of
human potential. The goal of initiation in the Mysteries was
not "human divinity" but the highest level of authenticity
and novelty in religious experience, without authority, intermediaries,
or fixed doctrines. Gnosis is a path of illuminism in which we
acquire by our own powers the knowledge that recharges the life-force
and reaffirms our connection to the life-source, Gaia-Sophia,
but Salvationism is a “cross theology” (Karen King)
that bonds us to the suffering of the Divine Victim. Rather arrestingly,
King says “one issue at stake in cross theology was authority.” I
reckon that a Gnostic would find that statement, at least, to
be clear and without error. Gnostic spirituality was vividly
and rigorously anti-authoritarian.
To represent Magdalene as the “first woman apostle” freeze-frames
her in the old paradigm of patriarchal authority and makes her
subservient to the primary male agent of the Roman salvationist
creed (divine or not, depending on your doctrinal criteria).
This portrayal of Mary Magdalene is utterly wrong in Gnostic
terms and does not even follow the prevailing grain of historical
and textual evidence. She was the ultimate outsider in the evangelical
scenario of Jesus as conventionally told.
Jesus and Magdalene pictured in the time and setting of proto-Christianity
cannot be made into evangelists. Given the intense spiritual
ferment of the Piscean Age, and the unprecedented situation that
compelled some Pagan initiates to come out in the open, they
can at best be imagined as a pair of Gnostic teacher-healers.
As such, they would have been agents and exemplars of Chrestos,
the Benefactor awaited by so many at the dawn of the Piscean
Age, and in that role they would have taken a stand against the
authoritarian paternalism of “cross theology.” G.
R. S. Mead advises:
In studying the lives and teachings of these Gnostics, we should
always bear in mind that our only sources of information have
hitherto been the caricatures of the heresiologists, and remember
that only the points which seemed fantastic to the refutators
were selected, and then exaggerated by every art of hostile
criticism; the ethical and general teachings which provided
no such points, were almost invariably passed over. It is,
therefore, impossible to obtain anything but a most distorted
portrait of men whose greatest sin was that they were centuries
before their time.
In addition to projecting Magdalene into the collective imagination,
the recent controversy around The Da Vinci Code has
changed the way we picture her companion. Once Magdalene appears
on the scene, we can never imagine Jesus in quite the same way
again. How then do we re-imagine the Savior? Well, considered
as a Gnostic revealer (phoster), Jesus can no longer
be regarded as the Son of God, a divine being. Nor can he be
identified with the Jewish rebel and messianic pretender of Eisenman’s
sensational profile, based on the Dead Sea Scrolls. Jesus the
Gnostic would have been totally human and non-political. Putting
this figure beside Magdalene, we can picture a couple of Mystery
School initiates who ventured into the public eye, challenged
by the issues of the Piscean Age — especially the main
issue, the quest for personal guidance, consistent with the massive
shift toward narcissism and self-concern at the dawn of that
Age (c. 120 BCE). Because the guidance sought by so many people
at that time was personal, it could not be found within the program
of the Mysteries where ego-death and transpersonal service to
humanity were the criteria.
In fact, such a couple did appear in that very time and setting:
Simon Magus and Helen, the fallen women who was said to incarnate Ennoia,
the “divine intention” of the Pleroma. Simon the
Magian, who lived in Samaria around 50 CE, is often called the
first Gnostic. (The title Magian alludes to the ancient order
of Zoroastrian priest-shamans, the prehistoric taproot of the
Gnostic movement. See the companion article, Gnostics
or Illuminati?) Simon was the first Mystery School initiate
known by name to have appeared in Palestine and argued in public
against the redeemer complex. Christianity did not exist in 50
CE. The figure and mission of the Christian redeemer was not
clear at that time. As Karen King notes, even three hundred years
later there was no agreement on creed, doctrine, or practice.
Simon would have argued against certain theological points in
the Palestinian redeemer complex of the Jewish radicals, the
Zaddikim. Some centuries later these points would have been consolidated
into the rigid dogmas of Roman Christianity.
Hellenistic fabulae (popular tales) recounted in the Clementine
Recognitions (4th C. CE) represent Simon as an evil magician
who debates theology with the apostle Paul and even engages
him in a sorcerer’s battle in the air over Rome. You
do not have to dig out the Recognitions to know who won.
Behind the naive scripting of the Recognitions and
those Hellenistic romances known as the Gospels, a battle for
humanity was taking place. Although the Salvationist creed was
not formalized until centuries later, the redeemer complex with
its program of divine reward and retribution had been developing
since the Babylonian Captivity in 586 BCE. The terrorist theology
of Jewish apocalypticism came to a fever pitch in the Zaddikim,
the extremist cult of the Dead Sea. From the days of the Macabbean
revolt in 168 BC, the dawn of the Piscean Age, Palestine was
rife with messianic obsessions and rocked by social upheaval
due to ferocious resistance to Roman occupation by the Zealots.The
Dead Sea Scrolls present firsthand evidence of this volatile
situation, but they are never cited by scholars like Karen King
who wear specialist blinders. Yet the Scrolls represent the single
most revealing evidence we have of the real setting of the historical
Jesus and his infamous companion, Magdalene.
Lacking
realistic portraits of Pagan initiates and Gnostics from
the Mysteries, artists and writers of later generations tended
to depict them as fabulous figures in long robes, surrounded
by magical and symbolic
items. This manner of representation distanced them from humanity
and shrouded them in an aura of mystification. A number of adepts
were pictured in this way, but there is (as far as I know) no
surviving image of a Gnostic couple such as Jesus and Magdalene
or Simon and Helen. (Apollonius
of Tyana,
by Jean Jacques Boissard, c. 1615)
By the time of Simon Magus, Palestine had become a significant
threat to the destabilization of the Roman Empire. The entire
region was racked with social and religious unrest, sectarian
violence, and millenarian madness. Into this dangerous atmosphere
stepped a pair of initiates, Simon and Helen — or Jesus
and Magdalene, if you prefer. The substitution is fair, because
the two couples are virtually identical. Either of them could
have been Jewish, for they were a good many Jews in the Mysteries,
which were multi-ethnic in membership. Like Helen, Magdalene
was said to be a prostitute. (In the companion essay, She
Who Anoints, which present a full-length review of King's
book, I consider this controversial factor in Magdalene's profile
in terms of her role as a sacred consort in Pagan rites of anointing.)
The aim of the initiates in those troubled times would have been
to render compassionate service to the many people struggling
through a momentously difficult moment in human history. They
would not have paraded as gods, as they are accused of doing
in “the caricatures of the heresiologists.”
A humanistic portrait of Pythagoras, Greek
initiate
and Mystery adept.
From The History
of Philosophy by Thomas
Stanley (17th Cent).
Teaching Humanity
In that tumultuous time and setting, Jesus and Magdalene could
quite possibly have been an initiated couple from the Mysteries,
like Simon and Helen. The would even have been a Jewish couple
who stood against the hateful fanaticism arising among their
own people. It is essential to remember that the Zaddikite ideology,
the foundation of Christian theology, was not the belief of mainstream
Jews in antiquity, and was, in fact, a source of enormous grief
and anguish among them. (The same situation persists today: Many
sincere believers within the international Jewish community do
not accept that Zionism represents the heartfelt convictions
of Jews, nor that it truthfully serves the aims of their spiritual
tradition.) As a Jewish couple, Jesus and Magdalene would have
felt compelled to face the crisis within their own racial-cultural
tradition, a crisis that shattered Hebrew tradition and caused
the expulsion of all Jews from Jerusalem in 70 CE. As an initiated
couple from the Mysteries, they would have acted differently,
however. Their work in public life would have been dedicated
more to the problems of personal guidance raised by the new Zeitgeist
of the Age, and less to specific issues concerning the fate of
the Jews.
So imagined, this couple cannot have been Christian in any conventional
sense of the term. Neither would they have been a married Jewish
couple bent on having children at a biological extension of their
faith. See my article in The
Secrets of Mary Magdalene,
edited by Dan Burstein and Arne de Keijzer.) The power of Magdalene
is just this: when she enters the picture, Jesus sheds the aura
of divine redeemer. This couple do not represent the familiar
savior and the “first woman apostle,” no matter what
kind of retrofit is put on them. Professor King claims that
Mary of Magdala, in her “legitimate exercise of authority
in instructing the other disciples,” preached the unique
message of Christianity to the world: “Christian community
constituted a new humanity, in the image of the true Human within.” The
notion that the first Christians discovered a new sense of humanity
unknown to anyone before them is typical of the arrogance of
Salvationist creed. The claim that Christians, then or now, represent
the human species in some unique manner, better and more deeply
than other people, is holier-than-thou and nonsense.
“The image of the true Human within” is not, and has never
been, copyrighted to Christianity. I would argue that the term “true Human” (Coptic
PITELEIOS RHOME) in King’s translation of the Gospel of Mary is
an expression of the Anthropos doctrine of the Gnostics, the Mystery
teaching on the pre-terrestrial origin of humanity, not the divine redeemer.
Scholars
who
use Gnostic material to revisit and revalorize Christian doctrines rarely
acknowledge
the
originality of their sources. Marvin Meyer fares a little better than
King in attempting to put Gnostic writings “into language that
is meant to be inclusive… [using] non-sexist terms and phrases.” Meyer
uses “Child of Humanity” rather than the familiar “Son
of Man.” The consequent shift of language can be startling. For
instance, The Secret Book of James says, “Blessed are
those who have spread abroad the good news of the Son before he descended
to Earth.” Meyer renders it: “Blessed three times over are
those who were proclaimed by the Child before they came into being.” This
language comes close to denoting the Anthropos, the numinous genetic
template of the human species projected from the galactic core of the
Pleroma, thus giving some idea of what Magdalene would really have been
teaching. (Meyer also incorporates Mystery jargon, “three times
over,” referring
to the status of hierophant, e.g., Hermes Trismegistos; hence he implies
that the identity of the Child or authentic humanity is a matter of
initiated knowledge.)
But Meyer almost loses the genuine non-Christian message
he wants to capture. “The
Son before he descended to Earth” is the Anthropos projected
from the Pleroma before the Earth emerged, understood in Gnostic
terms, but sounds dangerously like the Incarnation in Christian
terms. The
substitution
of Child for Son humanizes the language of
the
text but verges away from
the
Mystery teaching on the Anthropos. Karen King’s allusion
to “the
image of the Human within” is actually closer to the
Gnostic meaning, although she does not bother to acknowledge
that the Anthropos
doctrine, distinct from the redeemer complex, is the source
of this language.
By retrofitting Magdalene into the redeemer paradigm, the Gnostic
message is co-opted and distorted, time and time again. In
their own day Gnostics saw this happening and protested with
vehemence and eloquence. The distortion continues, effectively
obliterating from Magdalene’s character and teaching
any traces of “the side that lost out,” as King
characterizes them. With Jesus and Magdalene, it is one version
or the other:
either they represent Gnostic illuminism or they represent
the salvationist platform of redeemer beliefs. It cannot be
both.
Any admixture of cross theology immediately destroys the authenticity
of the Gnostic couple and their message to humanity about what
it means to be human.
According to their own account of their origins,
Gnostics traced their sacred tradition back to Seth, one of
the sons of Adam. Sethian teachings emphasize the power of
the Divine Sophia and even downplay the Christos in the mythic
scenario of Sophia's fall. One of the essential claims of the
Sethians was to preserve the teaching of True Humanity,
the Anthropos, not to be confounded with the image of perfect
humanity in Jesus Christ. (Adam and Seth, miniature from the
Royal Chronicles of Cologne, 1238 CE. National Library, Brussels.)
She Who Anoints
The first step in a genuine, enduring revival of Gnosis in our
time would be to recognize what is original to Gnostic teachings
in the
Mysteries and refrain from co-optation intended to produce a “new,
improved” version of Christian beliefs. Magdalene could
be the key factor in the revival, but so far she is contributing
to
a lot of distortion. The problem with the pop occultism of Baigent
and others, including Dan Brown, is that it makes Mary Magdalene
accessory to an altered patriarchal scenario rather than to an anti-patriarchal
scenario. The Priory of Sion, the alleged secret society that
is said to have preserved the truth about Magdalene’s role
in Jesus’ life, is the instrument of a monarchist cabal
intent upon restoring the blood-line of Jesus in Europe. True
or not, real or not, this scam is about as patriarchal as you
can get.
Even if the Priory does not exist, the message is clear: Magdalene
is valued for her biological role as a vessel of the “holy
blood” of Jesus, the sangraal. Behind this fantasy
lurks the crypto-fascist mentality that pervades almost all forms
of
modern esotericism. If Jesus was divine, the bloodline originating
from him is unique on earth. If he was a mortal man, the bloodline
still has paramount claim to regal status, for the “King
of Kings” ought rightly to be the progenitor of the kings
who rule the world. In such ways as this are we once again delivered
into the insidious game of the theocrats.
Nevertheless, The Da Vinci Code has deeply
affected many people by the way it reintroduces the Divine Feminine
into religious life. This
angle of the novel comes closer to the Gnostic profile of Mary
Magdalene as a teacher of True Humanity, PITELEIOUS RHOME, and
the intimate companion of Jesus, whom she anoints. At best, it
points
far
beyond the
Gospel setting to the unique power of Magdalene as a numinous
figure in human imagination.
As noted above, Christos, Greek equivalent to the Hebrew
mashiash, means “the anointed.” Originally
this was an honorific title given to sacred kings in Mesopotamia.
It had
no divine
connotation and still does not for devout Jews. As a title of
affiliation rather than divinization, it designates a man who
carries the authority of the Father God. Theocracy
is an all-male domination system, the crux of the patriarchal
agenda. Patriarchy is about men anointing men, or, in bureaucratic
terms, men appointing men. Zoroastrian Magi who anointed ancient
kings in the Near East were in a position of authority and control
over the men they empowered. Clever priests
pandered
to
the egos
of the
theocrats, treating them as if they were divine, descended from
gods. The pretence of divinity fits the crypto-fascist agenda
like it was custom made for it: Constantine recognized this clearly
when he insisted on the divinity of Christ so that he could claim
superhuman authority for the Roman Empire. The fact that he stopped
short of declaring himself divine, as some late Roman emperors
did, is a measure of his political savvy. As a human claiming
divinity, he could be questioned. But by enforcing the divinity of Jesus,
Constantine made sure that no one could question the authority he held
in the name of the Son. And he made the penalty for doing so, death.
In pre-patriarchal
times, anointing was a sexual-hedonic rite, the heiros gamos (sacred
wedding) of the Goddess, who was represented by a priestess,
with the
man who would be king. Like a powerful magnet, the figure of
Magdalene draws our attention to this forgotten rite and the
empowering woman who performed it.
For Gnostics of the Mysteries, the human figure of
Mary Magdalene had a mythic counterpart: the Goddess Sophia,
the consort
of
the
Christos
in the Pleroma. The Gospel
of Philip describes the erotic sacrament
in the nymphion (“bridal chamber”) where
initiates ritually reenacted the divine coupling that produced
the Anthropos, the
luminous template for humanity. Myth is repeated in the sexual
ritual, the two genders are reconciled in the nymphion, and
the celebrants emerge with their sense of humanity renewed and sharpened. The
Gospel of Philip (73.5) affirms, “Those who do not
receive the resurrection while they yet live, when they die will
receive nothing.”
For Gnostics, resurrection was vital-sexual regeneration experienced
here and now in the living flesh. Magdalene is traditionally
pictured with an urn, the vessel of anointing. All the evidence
indicates that this woman would have been seen by her Gnostic
peers as a courtesan charged with ritual anointing and instruction
in the mysteries of the nymphion – a “sacred prostitute,” to
apply the unfortunate term that often turns up in the current
flood of books about her. No one lately seems to have gotten
her tawdry
image as right as Marjorie M. Malvern, whose Venus in Sackcloth was
published in 1975, almost thirty years before the present furor
over Magdalene. Malvern shows that “the connection of the
Magdalen with a goddess of love… is unbroken and unmistakable” in
European art and literature from classical times. “Transcendence
of the fear of death through the celebration of the ‘mystery’ of
sexual love and of life on the earth” is the signature
of the consort, she who now re-ignites the image of the Great
Goddess in the collective imagination.
The Gnostic Avenger
In the perspective of the Pagan Mysteries, Magdalene’s
role in the life of Jesus was to anoint the anointed, but the
mortal
man
was not
made divine
by
this ritual. Rather, it showed that he was acknowledged by a
representative of the Goddess Sophia to be a teacher of “the
Human within.” Consider this notion against the proclamation
of Paul in Hebrews 6:20, that “even Jesus [was] made a
high priest after the order of Melchizedek.” This astounding
disclosure alarmed the Zaddikim, who saw Paul spouting their
secret doctrines to the public. It also would have alerted Gnostic
observers to the ultimate pretensions of the Zaddikite sect on
the Dead Sea, a group whose sexist and genophobic views were
diametrically opposed to the sexual balanced humanitarianism
of Gnosis.
Gnostics like Jesus and Magdalene did not normally do religion
in the public eye. They did not enter politics to change the
world or accomplish social reform, but in their work in the Mysteries
they did everything they could to nurture people who would build
a society that did not need to be reformed, because it was
good enough on the basis of the moral integrity of its members.
As telestai, Jesus and Magdalene would have consecrated their
lives
to harmonize
culture
and nature,
and,
most certainly,
to keep theocratic politics (the only kind that matter on this
planet) at a safe distance from schooling their fellow humans
in co-evolution. Like many other guardians of the Mysteries,
they managed to do all this in the Near East and in Europa for
about six thousand years, the last four thousand after patriarchy
had got a good head of steam rolling.
Such is not the achievement
of individuals head over heels in love with their own divinity.
Allowing for the presence of Mary Magdalene in the story of Jesus
shatters the pretences around deification, and blows patriarchal
presumptions about God out the window. It also weakens, rather
than strengthens, the crypto-fascist agenda attached to the “holy
blood, holy grail” fantasia. Magdalene is the flesh-and-blood
defiance of the patriarchal overthrow that shunted sacred mating
into oblivion, in favor of the all-male messiah club and the
begetting or royal heirs. She is the one who anoints virginally,
without conception.
She is the Gnostic Avenger. * * * * *
Those on the scene in Jerusalem at the time,
around 35 CE, did not know if the women at the gates wept
for Jesus crucified
or for Dumuzi, the Sumerian tender of flocks whose lover was
the sensuous goddess, Inanna. Today, facing the prospect of
a Gnostic revival, we know that Inanna
and
Dumuzi, the goddess and the shepherd king, are mirrored in
Magdalene and Jesus, and their relationship has nothing to
do with self-deification, or concocting a better form of Christianity,
or reinstating the Merovingian dynasty in Europe. This couple
is about Pagan eroticism, the hedonic rites of human passion,
and Gnostic sacramentalism. In their union and in their teaching
alike, they celebrate the divine body of Gaia-Sophia in whom
humankind has its pleasure and its atonement.
(Like many other images thought to be of the
Virgin Mary, "The Madonna of the Sacred Coat" by C. B. Chambers
(ca. 1890), presents a Magdalene-like figure in a gentle, welcoming
attitude, thus allowing a glimpse of how a female Pagan initiate
might actually have looked.)
|
|
|